>> eng
December 11 we will open 999Contemporary’s new gallery here in Rome. After 5 years experiencing street art in gallery environment and curated outdoor walls, some naivety, mistakes and some cool things, we feel the need of a step ahead. Due to our curiosity spontaneous direction, we’re always keen by radical points of view and conscious bravery in making art, so it’s time to open a new path in our research which will coincide with the opening of our new gallery: THE POPPING CLUB a former 1890 city tramway power plant. It’s a gallery, a residency project, artist studios, production office for outdoor projects and a sonorous research project curated by CultRise. We will open with a collective show about portraits, about how urbanized visual art are representing humanity, The Pitiless Gaze of Hysterical Realism, 18 of the most talented urban artists from 8 different countries, on the occasion of the show Rome metro company will release a special edition four metro tickets pack celebrating 4 artists from the show.
// A limited edition Packs you can see, will be available from december 11 – 7pm at The Popping Club, for free. Do not forget to register here: www.thepoppingclub.org to attend the show.
]]>
FREE ENTRANCE – IN ORDER TO ACCESS THE EXHIBITION YOU MUST REGISTER HERE: www.thepoppingclub.org
Curator: Stefano S. Antonelli
Management: Francesca Mezzano
Production: 999Contemporary
Adjunct curator: Marta Veltri
Executive production: Cecilia Caporlingua, Tiziano Iosca
Location settler: Francesco Caporlingua
with SIKKENS / ATAC / BERNABEI / FLUENDO
Curator’s note
Portrait is an essential reference and a concrete way to measure the exercise of representation. It is a tool able to interpret the complexity of its reality. The act of observing and the expectations of translating the subject into images provides the power to manifest the inexhaustible node between the subjective identity and the public image. The movement of figurative visual arts has always been symbolised by portraits which has consequently become the continuous narration of mankind. Through the visual representation of the body, the face, the form, the dynamism, vitality and movement, the beauty as well as the ugliness and deformity; artists have always tried to represent the constant crossing of the roads of humanity. These factors combined have the ability to be contemporary only if able to express the spirit and soul of their times.
For this reason these artists are in this selection, I find each one of them as a solid interpreter of the spirit of our times. Their gaze will tell future people about us, their vision will reflect the global view of a society based on the paradigms of high definition and the continuous massive flow of information. After the nihilism of the 90’s, their work can try to explain that there is something that is worthwhile, something that perhaps is to be found between the details of this new depiction. Is this representation realistic? Yes it is. Since the sense of realism has begun to transcend from the original meaning and reshaped to better define the contemporary idea of realism.
Parallel to the growth of the urban arts, (late XX century, early XXI century) a new form of literature was narrating our times: David Foster Wallace, Don De Lillo, Dave Eggers, Chuck Palahniuk and other young novelists started talking and interpreting our everyday world. “Lonely people looking for a way to connect with others, people whose dreams were simply to build their own nest where to invite only the rabble they wished. The creation of an environment you can control, free from conflict and pain. A place where you rule” (C. Palahniuk, Non Fiction). By doing so, the conventions of realism have not been abolished; they have been exhausted, and overworked. Where is now the “Heartbreaking Work of Staggering Genius” evoked by Dave Eggers? And the “Infinite Jest” described by David Foster Wallace? And the “Underworld” explored by Don De Lillo? Well if I look at these works, I see every single suggestion activated by these authors. With no mercy, work of these artists is a perfect representation of this western world vision called by James Wood: hysterical realism. If the work of these authors is an hysterical realistic representation of our lives the work of these artists is its pitiless gaze of this hysterical realism.
Stefano S. Antonelli
]]>Axel Void è mix esplosivo di culture, padre spagnolo, madre Haitiana, vive e lavora a Miami. Il suo lavoro é sempre contestuale e sa di pittura ottocentesca, il lavoro realizzato a Roma per Avanguardie sembra un pezzo di Toulouse Lautrec. Il titolo dell’opera é “Nessuno” e raffigura una donna di spalle, nel ritratto compare anche un tondo in cui viene raffigurata una scena di massa. L’opera è ispirata al luogo che la ospita, la “ferramenta” Cantini. Realizzato nel 1914 l’edificio nasce per ospitare tutti i materiali di cui ci sarà bisogno per costruire il quartiere Ostiense, la Roma “moderna” quella con la luce elettrica, il gas e le fabbriche, è per questo che nasce la ditta Cantini e dopo 100 anni tondi tondi è ancora lì a fare lo stesso mestiere. La donna che vediamo nel ritratto rappresenta il nucleo famigliare ed è ispirata alla fondatrice dell’impresa, una donna, il tondo invece raffigura “i lavoratori” tutti coloro che grazie allo spirito di questa impresa hanno contribuito a costruire il futuro che proprio ora stiamo abitando. Il titolo dell’opera è la risposta alla domanda “chi è quella donna?” ad indicare che è sempre più importante l’opera di chi l’ha realizzata. Di qualunque opera si tratti.
[/spb_text_block]
]]>